Latest News
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Post-16 vocational qualifications in art, creative and media subjects are meeting the needs of...
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Increasing numbers of National Portfolio Organisations (NPOs) are reporting issues with their...
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A new, first of its kind survey for Northern Ireland hightlights how the cost-of-living crisis is...
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One of Scotland's most renowned theatres is under "imminent threat of liquidation" due to the...
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Bristol's We The Curious science museum has reopened after being closed for more than two years...
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Squatters have been told to vacate a former arts centre in Brentford after a judge granted an...
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A new guide has been published to help theatres in Europe reach net-zero emissions by 2030. The ETC...
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A grade 1 listed arts centre in Somerset is set for regeneration using money from the government's...
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Two-fifths of theatres are in danger of becoming too unsafe to use within the next five years...
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More than 100 leading actors, directors and artists have signed a letter calling for voters to end...
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Arts Council England is seeking costs from award-winning musician Speech Debelle and her legal...2
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The Welsh government has accepted the majority of recommendations from a report into the role of...
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Every child should be given access to the arts in school and early years education, Labour's Shadow...
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Birmingham's Old Rep Theatre has secured new management after being operated by BOA Group since...
Latest Features
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All parties seem to agree that devolution is a good thing but the details about how culture will feature are scant. Anne Torreggiani and Patrick Towell discuss why and how we need to build the evidence base.
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A recent symposium exploring the impact of artificial intelligence technologies on creative practice has thrown up serious questions of authenticity, ethics, agency and authorship, says Dario Llinares.
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Arts organisations are only too aware of the limitations of short-term funding. But, in Northern Ireland, a pioneering financial programme provides a fresh blueprint for future funding of the arts, as Sarah Jones explains.
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A focus on niche audiences and regular content formats could be key to amplifying a new type of storytelling, writes Zosia Poulter.
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In a radical reimagining of the classical music paradigm, Sarah Alexander shares the National Youth Orchestra’s model for engaging young people.
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A survey of arts and cultural marketers reveals a growing sense of unfairness around pay and working conditions. Matt Ecclestone has the details.
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