User-centred thinking: Bridging the gap between assumption and truth
Anyone involved in marketing, or creating websites or digital products will know the phrase ‘You are not your customer&rsquo…
ArtsProfessional is working in partnership with Substrakt to present a series of articles and case studies exploring the many ways in which arts and cultural organisations can embrace the world of digital.
Substrakt is a digital agency specialising in the Arts and Culture sector. We partner with cultural organisations around the world to deliver work that gives everyone simple and immediate access to inspiration, discovery and joy through cultural experiences. We design and build websites and digital products alongside providing strategic consultancy, training and support services.
We care about making a positive, sustainable and impactful difference for our sector, our clients, our team and our communities, through initiatives such as our Tech in Culture EDI Alliance and recently becoming a BCorp.
Anyone involved in marketing, or creating websites or digital products will know the phrase ‘You are not your customer&rsquo…
A focus on niche audiences and regular content formats could be key to amplifying a new type of storytelling, writes Zosia Poulter…
Curiosity has been described as a leadership superpower, but unfocused curiosity can be frustrating, confusing and ineffective for…
The speed of innovation in the digital world can be hard to keep pace with and, as Katie Moffat writes, this is going to be a roll…
Artificial intelligence has been around for years but, as Katie Moffat writes, the new generation of AI tools can be used by anyon…
Recruiting for digital roles is tricky, which is understandable given cultural organisations have not traditionally had to hire fo…
Data and insights are at the heart of good business decisions but finding the time can be a challenge. Curiosity and incremental l…
In the competitive field of fundraising, digital gift giving has been experiencing a boom, as Stephanie Clark explains.
Research repeatedly highlights that the cultural sector has a capacity issue to address before it can fully realise the benefits o…
In the fast-changing world of digital, people love to forecast. But rather than focus on the future, Katie Moffat thinks you shoul…
Getting the go-ahead for a new digital project is exciting. Here Katie Moffat lays down the ground rules to ensure progress is smo…
A recent article* from academic and musician Thomas Wolf makes a strident argument that arts organisations employ too many ad…
The way arts organisations responded to the pandemic offered a glimpse of how they could evolve. But a rush to any ‘return t…
When it comes to maximising digital activity, the two most common challenges organisations face are budget and skills, says Katie…
If there is a universal truth in the arts and culture sector, it is that funding is an eternal challenge. That's even more tru…
Buying tickets online is something people do every day, for thousands of events, on millions of websites, all around the world. Bu…
Regardless of debates about what audience development means, the main aim should be for more people to experience the arts, says A…
The pandemic has forced cultural organisations to develop their digital infrastructure and programming. But, as Zosia Poulter argu…
The shift to digital has been beneficial to many, but Ash Mann is particularly interested in what it could mean for D/deaf, disabl…
The greater success of some arts organisations boils down to a few key ingredients. Money isn’t one of them, writes Ash Mann…