When it comes to Equity, Diversity, Justice and Inclusion, Amanda Parker shares what happens when you fail to read the room – and what you can gain when you get it right.
When and why did the art world decide that everyone’s creativity should be celebrated and supported? What change does it promise, and what will it deliver? François Matarasso has been reflecting.
A new strand of political correctness is reshaping conversations on race: the idea of ‘lived experience’ driving the debate. While the intention is good, Kevin Osborne argues it throws up new questions.
A reluctance to share opinions openly is a significant block to achieving racial equity. But as Kevin Osborne argues, without understanding prevailing attitudes to racial inequity we are unlikely to reach effective solutions.
Universities in the capital are set to lose nearly £80m in funding for arts courses. Diana Beech fears this will further widen inequalities in sector training.
While the appointment of Nadine Dorries to lead DCMS has been greeted with widespread dismay by the cultural sector, Robert Hewison reflects on a deeper malaise at the heart of Government.
The fight for racially equitable funding in the creative industries is what drove Kevin Osborne to set up Create Equity. Here he argues the need for Black and White leaders to work together to make it happen.
The UK City of Culture is a DCMS success story by any standards. But, as Andrew Dixon explains, serious flaws in this year’s bidding process have been likened to “sitting an exam before you’ve read the syllabus”.
Covid, the murder of George Floyd and the rise of the Black Lives Matter movement all led to an outpouring of statements committing to action on racial inequality in arts funding. Kevin Osborne’s initial optimism about that has since been tempered.
Ethnically diverse creative leaders are experiencing a rise in racist abuse. Amanda Parker calls for government support to kick it out in the arts and cultural sector.
Can using public money to make BAME* entrepreneurs successful be in the public interest if it makes them wealthy too? Kevin Osborne sets out the challenge.
The more you look at the cultural aftermath of this year of lockdowns, the clearer it becomes that current thinking around arts funding is a missed opportunity, Anthony Sargent writes.
Climate change needs more than lip service
There are better ways for the arts sector and its funders to tackle the climate crisis than slipshod data collection.