Jump to navigation
Sarah Fell on how Live & Local has facilitated shows in surprising places for nearly 20 years
Freelancers can provide flexible and cost-effective options for arts organisations, writes Laura Drane
Starting a festival is hard work, says Sue Finn, but the rewards are worth it
Beth Aplin reveals eight things every chief executive should know about their ticketing system
How does a touring agent in Australia go about planning a four-month tour of 43 venues spanning more than 7.5 million square kilometres? Harpreet Kaur shares her experiences
Robin Simpson Chief Executive of Voluntary Arts.
Roxanne McLean on the importance of good volunteer management
Greg Klerkx on Obama's arts report
Lynn Blackadder considers what success feels like for volunteer management programmes
Rosalie Neath explains how volunteers help the work of the Art Fund
Rebecca White on how to improve volunteer diversity
Jack Worthington explores what volunteers get in return for offering their time
Karen Goddard explains why Eastern Angles Theatre Company is moving volunteers onto the frontline
Hat Fair exists almost entirely thanks to the goodwill, skill and hard work of volunteers, says Miranda Johnson
Richard Fletcher explains the use of peer mentors to make volunteering more attractive
Rob Jackson shares his ten top tips for being attractive to volunteers
The National Trust has been working to broaden its range of volunteers. Sajida Aslam explains
Arts organisations need to manage their volunteers carefully to avoid legal risks. Victoria Cook has some advice
A shift in priorities has led to refreshing changes for a Bristol hospital, explains Jane Willis
Catching them young and teaching them to listen is the way to get kids interested in music, believes Richard Gill
