How can a council support the arts when its budget has been cut completely? Charlotte Fergusson shares the inspiring story of Westminster City Council.
Disappointed by a low take-up in its traineeship scheme, Curious Minds decided to shake things up and think about what disadvantaged young people really need and want, writes Derri Burdon.
Caroline O’Neill explains why a project using the arts to improve the lives of looked after children and adults with dementia, across four local authorities in South Wales, was so successful.
When it comes to art and culture in Barking and Dagenham, local people call the shots. Miriam Nelken and Helen Ball share the story of the 100 Cultural Connectors.
Since Cornwall Council closed its schools music service, an independent service has emerged that is no longer at the mercy of politicians, writes Gareth Churcher.
Partnerships with local authories are crucial to Orchestras Live’s work. Henry Little reveals how they’ve maintained relationships through challenging economic times.
Has East Sussex County Council achieved the unachievable? Sally Staples reveals how, through a social capital study of De La Warr Pavilion, it unearthed a way to describe the intangible value culture.
Dorset's local authority arts service has just made the complex transition to a public service mutual. Lindsay Harrod shares the issues they faced and the benefits they are now reaping.
The arts need leaders who can convey a clear vision and empower their staff. Well, parents practice these skills every day and it’s time we started valuing their experience, says Justine Themen.
Are female theatre directors in the UK successful because they followed the linear, patriarchal route – or did they do it their own way, asks Amy Golding.
A public art programme at Southmead Hospital in Bristol has breathed soul into the hospital building and created a sense of community, says Gillian Taylor.