How many older people do you expect to see in a contemporary art gallery? Clare Hankinson tells how Fabrica’s older audience programmes welcomed over 1,000 people last year.
Older people want to be part of an intergenerational community not a ‘crinklies camp’. Stephanie Fuller shares this and other tips on how to reach out to older audiences.
Partnerships with local authories are crucial to Orchestras Live’s work. Henry Little reveals how they’ve maintained relationships through challenging economic times.
Kelly-Anne Collins shares the story of how one dance support network diversified – creating a platform to showcase new work – and may just have triggered a revolution for dance in Northern Ireland in the process.
A YouTube network dedicated to the arts, in receipt of significant government funding and aiming to attract not millions but billions of views, just had to be investigated. Christy Romer spoke to Simon Walker of Canvas.
People who 'don't do arts stuff' can't be expected to come to an arts event just because it's free, family-friendly and fun. TC Peppercorn explains why.
As part of a project to build new audiences for orchestral music, Rachel Escott explains her ‘stumbled across’ tactic to bring music to people in everyday places.
