In a new series looking at the psychological payoff of art and creativity, Cara Courage begins by examining why artists make art.
The arts sector should be hoping that Camelot succeeds, says Liz Hill
Ellen Carr asks at what point can you call yourself a professional?
Christopher Goodhart believes the route to more successful fundraising comes through thinking laterally & testing new channels
David Dixon unpicks the issues surrounding investment finance for cultural organisations
Mindee Hutchinson asks when did the art world stop taking responsibility for the art it promotes?
The arts sector should be more open to ideas from elsewhere, suggests Liz Hill
Mindee Hutchinson shares her views on the State of the Arts Conference
Dan Baker on what can be done about gender inequality in theatre