AP stands firm against ACE allegations
Liz Hill responds to Cluny Macpherson about ATTL Yorkshire
Liz Hill responds to Cluny Macpherson about ATTL Yorkshire
Cluny Macpherson says Yorkshire's ATTL programme was transparent
The subsidised arts sector lives in fear of the hands that feed it, says Liz Hill
Susan Oman says the measures for assessing national wellbeing will be irrelevant before we even begin measuring
It's time for some changes, says Liz Hill
I share Liz Hill’s surprise (AP256, p4) at Jeremy Hunt’s endorsement of the new National Funding Scheme, as I am chall…
In responding to Viram Jasani’s comments (AP256, ‘A Different Agenda’) I don’t believe it would be h…
Chrissie Tiller reflects on two occasions recently when she held stakes and took part
Just giving? It ain’t that easy, says Liz Hill.
Dear Subscriber, While colleagues are taking time off to avoid the rain-soaked shires and cities of Britain over the next few week…
Viram Jasani sees ACE’s rejection of the Asian Music Circuit’s NPO bid (AP255) as symptomatic of its ambivalence towards race…
Mindee Hutchinson highlights the importance of social nurturing when running arts activities with young people
As arts organisations endure the knock-on effects of funding cuts, Lise Smith discusses the potential risks of skimping on salarie…
Being well-endowed isn’t necessarily a good thing, argues Liz Hill
With many ITC members having contributed to the development of the Arts Council’s new approach to touring, I was surprised t…
Greg Klerkx explains how the legacy of Creative Partnerships is being carried on
Liz Hill on why people power is good for the sector
Charlotte Jones raises questions about Arts Council England’s recent choice of projects to receive its Strategic Touring funds
Dr Alan Clarke shares what he has learnt from a career running arts projects in prisons across Europe
The creative arts can open up emotions and enable self-reflection. Sabine Sandberger shares her experiences of running a therapeut…
Ben Irvine looks to Bob Dylan to make the case for why we should make ethics more economical and the economy more ethical
William Wong asks what can the arts do more of and differently to encourage mindfulness?
Hannah Hull discusses the paradox of being an arts and wellbeing advocate
Bruce Wall gives a personal account of a prison-based theatre project in Malta that turned into a sell-out show