How it’s done
Rebecca Ritchie-Timms reflects on Umefolk festival – the first cultural event she just can’t seem to find fault with
Rebecca Ritchie-Timms reflects on Umefolk festival – the first cultural event she just can’t seem to find fault with
So what if ACE is creative with its accounting? Liz Hill makes some suggestions
Christopher Goodhart extols the virtues, and the business case, for ensuring data accuracy in supporter communications
In the final installment of a blog series examining the psychological payoff of art and creativity, Cara Courage considers the imp…
Kenn Taylor argues public institutions could learn a thing or two from artist-led models
Liz Hill finds a silver lining in the recessionary cloud
Glen Pearce asks: In an increasingly competitive media landscape does ‘exclusive’ coverage still hold value?
In a blog series examining the psychological payoff of art and creativity, Cara Courage reflects on why we look at art
Al Lyle sums up what he learnt about music and the brain at a recent seminar
The arts sector is still a force to be reckoned with, says Liz Hill
Why is theatre treated as the poor relation to film when it comes to tax incentives for entrepreneurial investment, asks Adam Kenw…
Mhora Samuel examines how budget VAT increases will affect listed theatres
Chrissie Tiller responds to Culture Capital Exchange’s Creativity and Business: Connectivity, Values and Interventions conferenc…
Is the arts and culture sector missing a trick? Christopher Goodhart urges wider action to promote legacy giving.
In a new series looking at the psychological payoff of art and creativity, Cara Courage begins by examining why artists make art.
The arts sector should be hoping that Camelot succeeds, says Liz Hill
I read with great interest the article on internships in AP249. However, Sean Egan and Paul Jennings have overlooked a fourth cate…
The recently published Henley Review of Cultural Education could have wide-ranging implications for the arts sector. AP invited Ke…
Ellen Carr asks at what point can you call yourself a professional?
Christopher Goodhart believes the route to more successful fundraising comes through thinking laterally & testing new channel…
David Dixon unpicks the issues surrounding investment finance for cultural organisations
Mindee Hutchinson asks when did the art world stop taking responsibility for the art it promotes?
The arts sector should be more open to ideas from elsewhere, suggests Liz Hill
Laura Brown questions whether the regional PR officer’s ‘best contact’ really is one of those national names