Aboard the learning boat: Expose yourself
Nick Sherrard explains why becoming a better collaborator is a lot more like having your hair cut than getting plastic surgery
Nick Sherrard explains why becoming a better collaborator is a lot more like having your hair cut than getting plastic surgery
Jennifer Cooling explains why buddying up to your local tourism body could encourage a wonderful, mutually-beneficial relationship
Dan Baker on what can be done about gender inequality in theatre
Mindee Hutchinson shares her views on the State of the Arts Conference
Glen Pearce reconsiders Laura Brown’s thoughts on the press officer’s ‘best contact’
What is the future for fledgling artistic endeavour as funding cuts start to bite, asks Liz Hill.
Greg Klerkx considers the current predicament facing artists
Glen Pearce suggests it might be time to include an advertising income rating alongside the star rating
Lise Smith asks when did UK audiences start walking out?
Cara Courage questions if and why the arts sector is still a man’s world
Andres Roberts reveals the concepts that float his boat
Phoebe Gardiner on why it’s a good thing she didn’t become a geography teacher
Al Lyle explains why he finds inspiration in the thriftiness and resourcefulness of artists
Jessica Hope explores the potentially abusive relationship between a press officer and her iPhone
Liz Hill urges the sector not to miss the wellbeing boat
Your recent article ‘Protecting jobs, promoting best practice’ (AP246) included information about Volunteering England…
Glen Pearce details the frustrations of theatre’s most influential audience
Playing it safe may be the most dangerous option
Chrissie Tiller argues for the value of an ‘austerity Olympics’
In the first installment of our new series, Nick Sherrard reveals his unusual New Year’s resolution
Kenn Taylor examines the unsavoury side of arts media coverage in regional Britain
Liz Hill reflects on internships and volunteering
FROM Ian Willox, Managing Director, Phonecast Ltd Mark Bell’s description of the BBC’s continual conversation with the…
Rebecca Ritchie Timms gives a graduate’s reaction to ticking funding boxes