Richard Clay reports on a cross-sector, digital technology project, bringing together academics, cultural organisations and small…

As a performer, songwriter or producer are you receiving the royalties due to you? Keith Harris reports on the millions PPL collec…

Alex Jones urges those in the early to mid stage of their career (like her) to join a What Next? Generation group.

Kate Reynolds describes a multi-arts project for young people with autism spectrum disorder that has gone off the beaten track and…

Crowd-funding was a rough but eventually successful ride for Gill Kirk. She reveals the highs and lows of her month-long campaign.

How did Robert Sanderson turn an overspending council-run facility into a theatre and concert hall thriving without subsidy? Erik…

Scotland’s museums sector has taken an innovative approach to overcoming financial challenges, according to Joanne Orr.

Carolyn Black reflects on our use of language in recent papers and discussions at the No Boundaries conference on resilient p…

As the Writing Squad recruits its seventh group of talented young authors, Danny Broderick and Steve Dearden explain how their for…

In light of the current debate about ACE's distribution of funding, Carol Reid explains how the regional allocation formu…

Eastleigh Borough Council's Culture Unit is proud of the interns it has employed. Cheryl Butler describes the progra…

Jonothan Neelands warns that although creativity and cultural vibrancy are part of our shared DNA, the flourishing Creative Indust…

Beatrice Pembroke sees a new role for old institutions in a changing world that needs fresh thinking in new spaces – spaces…

When it comes to audience data, Michael Nabarro says technology should be helping return us to our roots and emphasise what makes…

Jessica Plant and Kate Davey argue that arts interventions in the criminal justice system have demonstrated positive outcomes…

Jess Hoare introduces two of the young journalists who have been responding to the No Boundaries conference.

David Jays explores the pressures on ballet's artistic directors who are frustrated by a narrow repertoire.

Trustees of arts boards should be playing a significant part in supporting fundraising activities, accord…

Brian Gambles explains how Birmingham’s new library is engaging with young people so that culture and creativity can become…

A year since receiving a Google Ad Grant, Liz Walker and Frances Richens reflect on the highs and lows of Watford Palace Theatre&r…

Lucas Stewart reports on the difficulties involved in ‘Hidden Words, Hidden Worlds’, a British Council project in Burm…

Do commissions from funding bodies based on measurable outcomes really benefit arts organisations? Ross Harvie reflects…

Eleanor Deem recommends a flexible approach when no single candidate appears to be the perfect fit for a job vacancy.

AmbITion Scotland’s Make:IT:Happen fund aims to help Scotland’s cultural sector become digitally fitter. Ashley Smith-…