At the start of their careers, artists need more than just brilliant ideas - they need to develop skills that will enable them to shape and sustain their practice. Ann Drew explains how applying for an enterprise award can help them achieve this.
Do trusts and foundations really favour some organisations over others? Sarah Miller explains what can move the Andrew Lloyd Webber Foundation to offer repeat funding.
An international study says the ‘moral and economic rights’ of artists must be protected if they are to sustain their creative activity and fuel the economy.
Why would a theatre want the hassle and financial risk of producing its own productions rather than just presenting touring shows? John Baker explains why – and how – the Marlowe Theatre is doing both.
A publicly accessible website will be home to digitised contemporary art in a major research and archiving project that will explore how cultural heritage in the visual arts can be safeguarded for future generations.
Mila Oshin describes a cross-artform showcase that presents the work of like-minded artists, many of whom have been ‘emerging’ for their whole careers.
Rob Smith has found a sustainable model for working with artist educators that provides artists with an income stream relevant to their field of work and doesn’t depend on public funding