Digital ‘no substitute’ to traditional libraries

01 Feb 2022

Most adults think digital services are an inadequate replacement for traditional libraries.

More than half (57%) expressed their preference for in-person services in a survey by the University of Strathclyde, Glasgow.

Just under a quarter (22%) agreed an online replacement was adequate.

The number of people using digital library services was up 11% last year on pre-pandemic levels, amounting to one fifth of all library users.

University of Glasgow professor David McMenemy, one of the research leads, said the findings suggest people missed libraries during the lockdowns.

"They are also social spaces at the heart of communities."
 

Digital award winners embrace new audiences

27 Jan 2022

Those who showcased best practice in digital leadership did so by addressing the challenges of the pandemic.

Official probe into music streaming market

27 Jan 2022

The Competition and Markets Authority (CMA) will investigate the streaming market "from creator to consumer" following a year-long inquiry by MPs.

The office will consider whether the dominance of major labels is stifling competition or affording any players "excessive power".

While it could be a significant step forward for music creators seeking fair payment, progress remains slow - the DCMS Committee's inquiry and an investigation by the Intellectual Property Office have turned up more evidence but no answers.

The CMA is inviting comments on a study of the market until February 17, with an eye to publishing its findings early next year.

The metaverse is here to stay

Eclipse as part of Serpentine's Future Art Ecosystems Art x Metaverse by Zion Konig
19 Jan 2022

For good or bad, we need to learn to live with the metaverse. But what is it, and why is it important for the cultural sector to be involved? Kay Watson shares her insights.

Understanding audiences

black and white image of a crowd
19 Jan 2022

Regardless of debates about what audience development means, the main aim should be for more people to experience the arts, says Ash Mann

New foundation to fund international residencies

12 Jan 2022

A new foundation will focus on facilitating the international exchange of ideas and practices at the intersection of digital art and traditional media.  

Sigg Art Foundation, launched by Swiss collector Pierre Sigg, has already run preliminary residencies in the south of France and has exchanges taking place in Saudi Arabia this month.

“The first residency was so inspirational that I started thinking bigger, wanting to continue to find ways to open up a dialogue between artists working in connected fields around the world. Hence the concept for the foundation was born: a way of linking the residencies and collection that could keep growing, organically,” Sigg said.

Sacha Guedj-Cohen, an independent curator, has been recruited as the foundation's Director. She will help artists in the growing field of digital art to undertake physical and conceptual projects investigating the relationship between traditional and virtual art.

 

 

ACNI opens £40k digital art fund

12 Jan 2022

A new funding opportunity supporting digital art is live in Northern Ireland.

The Arts Council of Northern Ireland’s (ACNI) Organisations Digital Evolution Awards is aimed at those making digital art for the first time or working with digital technology they have not used previously.

Organisations can apply for grants of up to £10,000, with £40,000 available in total. Applications are open until February 14, with decisions expected by April 4.

Applicants are encouraged to contact the council's Creative Industries Officer if they wish to discuss the eligibility of their project concepts.

“This programme reflects the arts council’s commitment to encouraging innovative practices that cross artform boundaries and build digital capabilities within the Northern Ireland arts sector,” Chief Executive Roisin McDonough said.

More artists are earning money from streaming

05 Jan 2022

More UK music artists earned "meaningful royalties" from streaming in 2021, the BPI reports.

UK music was streamed 147 billion times last year - a 5.7% increase on 2020.

About 1,900 artists were streamed more than 10 million times in the UK, meaning they could potentially earn a living from streaming alone. This group has grown by a quarter in just two years, according to the BPI.

Its figures indicate streaming now accounts for 83% of UK music consumption, though physical formats' popularity remains: a decline in CD sales has slowed and vinyl sales are the highest they've been in 30 years.

Today, an artist will generate the same revenue from 10 million streams as 10,000 CD sales. BPI estimates twice as many artists are earning significant sums compared to when CD sales were at their height.

"Success today is gauged in the multi-millions, sometimes billions, of streams," CEO Geoff Taylor said.

"This year’s growth shows there is a huge appetite for music and we believe that by working together we can increase the value of the whole music market, so that streaming can support even more artists in the future."

 

Project a blueprint for remote arts with older people

13 Dec 2021

Group phone calls, radio and the postal system were used to keep participants connected during lockdown.

Digital artwork sells for record-breaking US$91.8m

13 Dec 2021

A non-fungible token (NFT) by an artist collective has sold for a record-breaking US$91.8m (£69.3m).

The Merge was bought by more than 28,000 people on Saturday (December 11), potentially making it the most expensive ever work by a living artist.

A Jeff Koons sculpture titled Rabbit sold for $91m in 2019; however, it was only one object.

The Merge, created by collective Pak, could become a single digital work. Buyers receive a single (NFT) with the accumulated mass of units purchased and anyone who sells their units will see them destroyed, consolidating the artwork's value over time.

 

Original BBC arts programming in decline

08 Dec 2021

New arts and classical music content has fallen for the third consecutive year as the broadcaster restructures its offer.

Call for global collaboration to protect creative industries

08 Dec 2021

The creative and cultural sectors must not be treated as a policy "outlier" if they are to help meet global challenges.

Music industry split on copyright bill

a phone streams music next to a pair of headphones
01 Dec 2021

Proposed legislation to increase streaming royalties for signed musicians has received pushback from labels claiming it misunderstands the industry.

Is the future of digital theatre in the balance?

a digital camera records a stage
01 Dec 2021

Over half of publicly subsidised theatres that streamed performances during the pandemic have reverted to in-person performances only. Richard Misek has been investigating why.

‘Seismic’ shift towards digital music learning

30 Nov 2021

ABRSM has reported a "seismic" shift towards digital music learning.

64% of children use digital resources to make music, according to the music board's Making Music 2021 report.

Whilst 59% of children and 27% of adults surveyed currently play an instrument, 86% and 43% respectively said they are making music, suggesting a trend towards online tools.

Despite increases in digital participation, 11% fewer children are taking instrumental lessons at schools than in 2014.

Finance remains a barrier to participation. People from wealthier households are 1.4 times more likely to play a musical instrument, with 25% of children and 18% of adults who never played an instrument saying this was due to expense.

The music sector must work to overcome “fundamental and deep-seated barriers” that stop people accessing music, ABSRM Chief Executive Chris Cobb commented.
 

Fund to boost heritage volunteers' digital skills

29 Nov 2021

Seventeen heritage projects across the UK will share £1m to improve volunteers' digital skills.

The money comes from the National Lottery Heritage Fund's Digital Skills for Heritage initiative.

The fund aims to break down barriers and inspire the sector to get more people involved in heritage, according to National Lottery Heritage Fund CEO Ros Kerslake.

Charity for the blind and partially sighted Vocal Eyes received the largest grant (£99,814) for its Museums and Heritage Access 2022 programme, which primarily recruits digital volunteers from Deaf, disabled and neurodivergent communities.

Digital staff undervalued amid pandemic pressures

17 Nov 2021

Research into the effect of the digital pivot on workers has coincided with calls for better pay for social media and marketing staff.

We need more content specialists in the arts

04 Nov 2021

The pandemic has forced cultural organisations to develop their digital infrastructure and programming. But, as Zosia Poulter argues, the role of content is still not sufficiently recognised. 

Online opera course to take students 'behind the scenes'

03 Nov 2021

A new online initiative for opera lovers from the Royal Welsh College of Music & Drama (RWCMD) aims to shed light on the complex workings of the opera and musical theatre industry.

Opera 360 will include short courses led by RWCMD tutors, offering "behind the scenes" knowledge of working in the industry.

The college is also offering a full Opera 360 Masters degree, which can be applied for through UCAS.

James Lea, course leader of Opera 360, said: “We wanted to offer a course that allows people to see how opera is brought to the stage.

“The myriad formats in which opera is produced, and its ability to reach diverse audiences, are subjects worthy of serious study.”

Opera 360 will launch in September 2022.

Glyndebourne to launch on-demand streaming service

02 Nov 2021

Opera house Glyndebourne is set to launch an on-demand streaming service, Glyndebourne Encore, next month.

The service will offer access to Glyndebourne’s back-catalogue and future filmed productions, alongside additional insights and interviews about a chosen opera each month.

Artistic Director Stephen Langridge says Glyndebourne Encore is a response to audience demand realised after its digital festival, hosted last year due to Covid-19 restrictions.

The company says it will continue offering regular, limited-period, free streams alongside the service.

Glyndebourne Encore will launch with 15 filmed titles available from 1 December. An annual subscription will cost £79.99, or £59.99 for Glyndebourne members.

Pages

Subscribe to Digital