Ian Lambert says latecomers should know their place – at the back

Christopher Goodhart recommends a simple way to increase your fundraising at a time when every penny counts.

David Dixon volunteers suggestions for the future of arts fundraising

Liz Hill asks why XXXXXXXXXX [redacted] if there’s nothing to hide?

I have been a fundraiser since 1988, when I joined Oxfam, and have worked in cultural fundraising since 1991. So the question of w…

Dany Louise issues a rallying cry to artists

Should an usher pass comment on a show? Ian Lambert weighs ups the pros and cons.

London-centricity still overshadows theatre awards, says Glen Pearce

Hilary Gresty reflects on the ‘complex behemoth’ that was put in place to repair the fragmentation of the visual arts sector.

Competing for funding isn’t quite the same as applying for funding, says Trevelyan Wright

Where does ‘inclusion’ fit in the parallel landscapes of ‘youth arts’ and ‘older people’s arts’, asks David Slater

Will sitting quietly in the dark appeal to the next generation of theatre-goers, asks Ellen Carr.

The cost of change isn’t a good enough excuse for ignoring climate change

Collaboration and community spirit in the arts sector makes effective networking a possibility and a pleasure, says Ellen Carr

Roma Backhouse fears that funding cuts will ultimately spell the end of efforts to unite London’s disaffected youth with potenti…

Want coverage for arts events? Then start standing up for local radio, says Laura Brown

Liz Hill says the private giving agenda leaves the sector walking on a tightrope

Bristol Old Vic Young Company blew my mind away last night. Partly this was because of their performance, and partly because it ma…

The latest issue of The Art Newspaper featured an interesting little story on Facebook and their censorship of the nude in art. Th…

It’s almost impossible for me to separate ‘the arts’ from its middle class aspirations, says Mindee Hutchinson

Watching actors advance in their careers when they leave drama school gives Amy Smith a real buzz

Daniel Hogg’s work may be ‘art by an offender’ – but that’s far from the whole picture

What should the usher do when the audience wants to get up and dance? Ian Lambert considers the dilemma.

Fundraising isn’t easy when donors smell desperation, says Greg Klerkx