Do commissions from funding bodies based on measurable outcomes really benefit arts organisations? Ross Harvie reflects…

Three-quarters of income at the self-financing venue came from ticket sales and admission charges in 2013, though almost a half of…

Artistic Director of London’s Young Vic David Lan is leading the core artistic team at the ‘the PAC’ in New York…

Arts organisations have much to gain from actively seeking and publishing visitor feedback, according to Martin Baker.

Mary Cloake, Chief Executive of the Bluecoat in Liverpool, takes a moment to reflect on her career in the arts.

Since Derby Theatre became a learning theatre academics and students work alongside theatre staff. Sarah Brigham explain…

Jeremy Herrin, Artistic Director of Headlong, explains who has inspired him most.

Support for the professional development of young directors will be extended to ensure that opportunities are accessible to young…

Sam Hodges, Creative and Executive Director at Nuffield, contemplates his career so far.

Burns Night is celebrated in some style in Dumfries, with three days of music, theatre and carnival. Graham Main describes how tho…

Peter Welch, Managing Director of arts sponsorship agency Showcase, names those who inspire him.

Word/Play is an initiative in Somerset for people with mental illness or a learning disability. Mark Helyar describes how it has e…

Gavin Stride explains how a new touring model will connect artists more closely with programmers and audiences to fill theatres ac…

What can be done to create better links between a touring company and the communities where it tours? Catherine Love offers s…

Government support for the creative industries will include tax relief for new work in theatres and for touring productions to reg…

'The Audience Experience' is for the academic or researcher but also provides an expanded tool box of approaches to audien…

Joanna Reid, Executive Director of Coventry’s Belgrade Theatre, tells us who has inspired her most.

Craig Titley, Chief Executive of Future Talent, describes his career so far.

As the theatre company Women & Theatre celebrates thirty years, Janice Connolly reflects on the company’s origins and va…

Zoë Briggs discusses different ways that the theatre industry is training and supporting young people at the start of their caree…

Lorne Campbell tells us who has inspired him most on his journey to Northern Stage.

Receiving venues are lobbying MPs to intervene for a fairer share of Lottery funding in the regions.

Mary Swan, Artistic Director & Chief Executive of Proteus Theatre Company, explains her career so far.

Playful interaction is at the heart of all Globe Education’s digital activities for school-aged children, writes Patrick Spo…