Moving masterpieces
Moving artworks around the world is a complex and costly process. Michael Festenstein advises on how it can be done carefully and…
Posts
Committee releases evidence in readiness for first hearing
The first written evidence to be published by the Culture, Media and Sport Select Committee reveals deep divisions in the sector o…
Facing the unfamiliar
Kate Reynolds describes a multi-arts project for young people with autism spectrum disorder that has gone off the beaten track and…
Culture to be given equal consideration in local plans
Guidelines for cultural planning are included in new Government Planning Practice Guidance.
A second production line
Ten years ago Belgrade Theatre Coventry had to find new sources of income. Joanna Reid tells how its production services subsidiar…
A story of survival
How did Robert Sanderson turn an overspending council-run facility into a theatre and concert hall thriving without subsidy? Erik…
A call for a richer repertoire
David Jays explores the pressures on ballet's artistic directors who are frustrated by a narrow repertoire.
Digital fitness for all
AmbITion Scotland’s Make:IT:Happen fund aims to help Scotland’s cultural sector become digitally fitter. Ashley Smith-…
My Gurus
Russ Tunney, Director of Pound Arts Trust, tells us who has inspired him most.
New figures strengthen the economic case
Employment in music and the performing and visual arts has been growing more slowly than in the rest of the creative economy, but…
A sister in Sydney
Black theatre company Nitro has recently opened a sister company in Sydney, Australia. Felix Cross tells how it has all been possi…
Job Ladder
Fiona Allan charts her career path to Curve Theatre.
Commercial collaborations
The Royal Opera House has been sharpening its commercial agenda over recent years. Alastair Roberts describes how it has developed…
An upward curve
Ten new Young Arts Entrepreneurs recently emerged from Curve’s dragon’s den to start the third year of a project for e…
Digital award for Glasgow’s visual arts website
A social media-led website which showcases Glasgow’s visual arts scene has taken first place in the Public Sector category a…
A Cast of six thousand
Doncaster’s new arts venue opened in September – a response to negative comments about the town’s hist…
Arts education has intrinsic value, but wider impact is unproven
Claims that arts education brings wide benefits in terms of creativity, social skills and academic performance are at best optimis…
Under new management
The running of the Hazlitt Arts Centre is being contracted out by Maidstone City Council. Mandy Hare explains the rationale for th…
Job Ladder
Carol Maund, Director of Bournemouth Arts by the Sea Festival, explains her career path.
Collective voice for arts education
A strategic alliance between five of the leading professional subject associations for art, dance, drama and music is aiming to en…
Exporting the arts
Mark Fisher charts the global success of ‘Made in Scotland’, the programme which showcases dance and theatre comp…
Job Ladder
Composer Laura Bowler reveals what she has learnt from the arts management side of her career.
Job Ladder
Colette Hansford reveals her path from pulling pints to becoming General Manager of the Hofesh Shechter Company.
Birthday Honours bring awards for arts professionals
ATG Co- Director Howard Panter and Tate Director Nicholas Serota are among those honoured.
