Director of Half Moon Theatre for children and young people, Chris Elwell names those who have inspired him throughout his career.

Tatiana Rais tells how she has brought back to life an abandoned theatre in the centre of Bogotá.

Stan’s Cafe used to ‘blunder around’ doing workshops and videos, but now it has formed some partner relationship…

At a school in Bradford, a large number of pupils speak little or no English. Sarah Mumford explains how performing arts technique…

Ambassador Theatre Group has launched a scheme that will combine a business foundation with specialist placements to give graduate…

Sheffield Theatres has pledged to “run against current stereotypes” and employ an equal number of male and female acto…

Director of The Pleasance Theatre Trust, Anthony Alderson, looks back on a career that has taken him all around the globe.

Glen Pearce reacts to one theatre’s decision to grant press tickets only to critics who generate it enough website traffic.

Creating and producing family theatre has led Harper Ray to reconsider his audience and cast aside some misconceptions.

Hosting relaxed performances requires thorough staff training and partnership working to target audiences, say Karen Townsend and…

Patrick Spottiswoode outlines how the Globe Theatre in London is continuing a long tradition in adapting Shakespeare’s plays…

Peter Glanville is passionate that children’s theatre should be of the highest quality attracting the best actors and creati…

More than €5m has been awarded to UK organisations to lead collaborative projects by the European Commission's revamped f…

The value of theatre is in the inter-relationship between the performance, the spectators, and the associations which the experien…

The height of summer is the best time for venues offering a Christmas show to start gearing up for success. Hannah Mitchell explai…

While NPOs attract regular attenders, independent theatre is more successful at broadening the theatre audience base, suggests new…

Mountview Academy of Arts is making a step-change in its recruitment of drama students to attract talent from a wider social and r…

Offence-focused group work has been used to reduce re-offending. Louise Heywood explains two key techniques that help offenders to…

Naomi Joseph talks to Lucy Perman about how Clean Break works with female ex-offenders not just in theatre-making but also offerin…

Two members of a youth forum have been invited to sit on the board at The Dukes in Lancaster, and are now influencing important de…

Captioning live theatre performances for the deaf is often seen as costly and inflexible, says Laura Arends. But new automate…

The RSC’s Open Stages project has brought professional theatre companies and amateur theatre-makers together. Kelly Donaldso…

A government consultation has resulted in revised proposals that will see more art forms and smaller companies eligible for tax re…