What are the ‘choke points’ preventing culturally diverse artists from succeeding and should we stop talking about &ls…

Director of The Empty Space, Natalie Querol, tells us about the people who inspire her work, supporting artists in the North…

Fifteen members of the public invited to take part in the rehearsal of a playlet will be actively involved in the direction, chore…

Following in the footsteps of the theatre sector, Orchestras Live is looking to tackle the relative inaccessibility of orchestral…

Sean Egan believes the new Theatre Tax Relief signals a shift away from government support for the subsidised sector in favour of…

The new Artistic Director of Tiata Fahodzi, Natalie Ibu, pays tribute to those who have helped her career.

Report by the British Theatre Consortium paints the most comprehensive picture to date of the UK theatre sector.

SPIT, the organisation that advocates for Sign Language Interpreted Performances, is conducting a survey to find out more about th…

Taking female actors to Saudi Arabia to perform with young Saudi women is just one of the National Youth Theatre’s ground-br…

Roberta Doyle explains why Scotland’s theatre company ‘without walls’ tours the highlands and islands of Scotlan…

Some performing arts producers and venues report that screenings are negatively affecting their organisations, but the big players…

The new Executive Director of Spare Tyre, Lynette Shanbury, explains how she came to lead this tiny company that does big work.

A £300k pilot programme aims to encourage artists and companies to create theatrical experiences for families and young peop…

A group of venues in the North of England has made a commitment to supporting attempts by new and emerging artists to get their wo…

London Bubble offers a wide variety of volunteering opportunities, but it’s not just about one-off opportunities, explains&n…

Unpaid work is a serious problem for many Equity members but, as Emmanuel de Lange explains, a new campaign to increase…

Regularly volunteering in both front of house and backstage roles has given many students their initial interest in the arts, acco…

London Classic Theatre’s Michael Cabot demonstrates why you should never be afraid to ask for help, as he names those who ha…

Stage One’s training and support helped Tracey Childs become a theatre producer and is doing the same for apprentice produce…

For the London International Festival of Theatre customer data is power. Libby Penn describes how taking control over ticketing an…

Arts venues in Wales have joined forces to implement a new national scheme that aims to provide more consistent and reliable arts…

Amy Golding and Kay Hepplewhite report on recent  research to find out what a vibrant fringe theatre scene needs.

Theatre in education has seen many changes since it was first conceived in Coventry fifty years ago. Justine Themen tracks its his…

REP’s Children, a project offering free theatre tickets for babies and their families for ten years, was so successful first…