DfE has resurrected the long-delayed plan as industry and researchers warn music A-levels could disappear from some regions by&nbs…

The free card will enable “seamless, barrier-free” booking to boost audiences’ confidence to return to live even…

There's no word on a long overdue upgrade to Grantium – the reason for most requests. Those providing acc…

Autistic people face the highest rate of unemployment of all disabled groups in the UK. A new guide aims to change conversations s…

Covid, the murder of George Floyd and the rise of the Black Lives Matter movement all led to an outpouring of statements committin…

Ethnically diverse creative leaders are experiencing a rise in racist abuse. Amanda Parker calls for government support to kick it…

How can we build a fairer cultural sector that works for artists, organisations, and communities? Mark Robinson explores some tact…

Arts venues might lose out by mandating masks and other Covid-19 mitigations but it's the only socially responsible optio…

The centre's funder has stepped in after former and current staff called it "institutionally racist" and lobbied for…

A group of young creatives have been selected as Creative Entrepreneurs for 2021 on the basis of their potential. Marina Norr…

As the U.Dance National Festival returns in an online format this month, Cameron Ball shares how the event connects the nation&rsq…

Sir Nicholas Kenyon has resigned as Managing Director two weeks after current and former staff went public about their experiences…

The Jess de Wahls controversy has highlighted how tenuous arts organisations' solidarity with transgender people can…

Erin Gavaghan reflects on how the lives of women with experience of the criminal justice system can be profoundly changed by theat…

Jude Kelly shares how a group dedicated to the experience of live congregational events transformed into techies in a two-month tu…

Can using public money to make BAME* entrepreneurs successful be in the public interest if it makes them wealthy too? Kevin Osborn…

To become genuinely inclusive, organisations need to find space to talk. Michael Davidson runs a music education programme where l…

Muslim communities are regularly assailed by poor generalisations and by impoverished stories written by ‘someone else&rsquo…

Many of the UK's highest-funded arts organisations promised change after George Floyd's death. While governance and progra…

The movement is part of a sea change in representation in theatre: "It's comparable to non-disabled people playing disabl…

One year on from the toppling of the Colston statue in Bristol, Phil Castang reflects on how ditching the Colston name for the con…

Kevin Osborne has long been exercised by systemic racial bias in UK arts funding. Last month he produced a panel discussion aimed…

England's National Portfolio Organisations may not be as diverse as reported, with 50 facing possible funding cuts o…

What does it mean to be Black in the arts industry today? Marking the one-year anniversary of the death of George Floyd, Gabrielle…