How do you come to manage a community arts programme? Made in Corby’s Helen Willmott takes us through the steps of her caree…

The brains behind Edinburgh Student Arts Festival, Briana Pegado, takes us on a tour of her working life.

Recognising that it “must do more” to encourage diversity in the arts, Arts Council England has announced four new div…

What’s it like working front of house? And how much can you expect to earn? Zoe Hardie answers your most common questions.

Kully Thiarai reveals why remembering to be scared and learning to bake have driven her through her career and to her latest role,…

With a background in commercial marketing, Adam Buss recognises the power of Audience Finder. He tells Katie Flaherty&nb…

Time traveller Steampunk Bob has become (rather surprisingly) a primary school resource for teaching social, moral, cultural and s…

Lorna Hosler tells us about the people and experiences that helped her on her way to becoming Executive Director of Clod Ensemble.

Susan Jones explains how innovative arts housing can enable older people to express themselves creatively late into life.

Eight arts projects will be selected to receive £5,000 and business support from the Digital Innovation Fund for the Arts, b…

Richmond Arts Service shared resources and took advantage of new funding opportunities by working in partnerships, say Pippa Joine…

In an era of data sharing, Marcus Romer asks who audience data belongs to: touring companies or venues?

Making a name for yourself on the critic circuit is no simple task – and getting off the ground can be the hardest part…

Libby Penn reveals how MAC Belfast achieved ambitious attendance targets in its first year of operation with the help of a be…

Who really benefits from ‘pay what you can’ and ‘pay what you decide’ ticketing offers? Two organisations…

Is an arts organisation dedicated to LGBT issues still necessary or even relevant? Yes, says Neil Anderson, so long as i…

The proportion of students studying drama, music and dance is consistently lower for children from backgrounds of high deprivation…

Christy Romer spoke to four leading figures across the arts sector to ask for an answer – in their own words – to a si…

After collecting more than 100,000 survey responses, Leo Sharrock and Helen Palmer can reveal the main reason people attend t…

Dance organisations, galleries and museums across Europe are coming together to explore new ways of interacting with audiences thr…

Catherine Love explains why giving emerging artists no-strings-attached support is so important.

Jobs in the arts are growing at a higher rate than in any other area of the creative industries, but new figures from the DCMS lay…

What better place to learn about using the arts to help older people and those with dementia than in Japan, where a quarter of peo…

The National Theatre and Manchester’s Whitworth Gallery have both won National Awards in the annual competition run by RIBA,…