Making waves
Liz Hill on why people power is good for the sector
Posts
Warning signals
Charlotte Jones raises questions about Arts Council England’s recent choice of projects to receive its Strategic Touring funds
Wellbeing behind bars
Dr Alan Clarke shares what he has learnt from a career running arts projects in prisons across Europe
Creative therapy
The creative arts can open up emotions and enable self-reflection. Sabine Sandberger shares her experiences of running a therapeut…
The Artist as Social Entrepreneur
Ben Irvine looks to Bob Dylan to make the case for why we should make ethics more economical and the economy more ethical
13 Hours: lucky for some
William Wong asks what can the arts do more of and differently to encourage mindfulness?
Practice what you preach?
Hannah Hull discusses the paradox of being an arts and wellbeing advocate
When you hear their voice
Bruce Wall gives a personal account of a prison-based theatre project in Malta that turned into a sell-out show
How it’s done
Rebecca Ritchie-Timms reflects on Umefolk festival – the first cultural event she just can’t seem to find fault with
Catch 9.2
So what if ACE is creative with its accounting? Liz Hill makes some suggestions
Keeping supporters sweet
Christopher Goodhart extols the virtues, and the business case, for ensuring data accuracy in supporter communications
Why Create? A psychosocial question
In the final installment of a blog series examining the psychological payoff of art and creativity, Cara Courage considers the imp…
Watch the grass grow
Kenn Taylor argues public institutions could learn a thing or two from artist-led models
Everyone’s doing it
Liz Hill finds a silver lining in the recessionary cloud
Exclusive marketing
Glen Pearce asks: In an increasingly competitive media landscape does ‘exclusive’ coverage still hold value?
Why create? The audience and art
In a blog series examining the psychological payoff of art and creativity, Cara Courage reflects on why we look at art
Why we’re still better than robots
Al Lyle sums up what he learnt about music and the brain at a recent seminar
Alive and kicking
The arts sector is still a force to be reckoned with, says Liz Hill
Out in the cold
Why is theatre treated as the poor relation to film when it comes to tax incentives for entrepreneurial investment, asks Adam Kenw…
Not looking out for the little guy
Mhora Samuel examines how budget VAT increases will affect listed theatres
Creativity Ltd.
Chrissie Tiller responds to Culture Capital Exchange’s Creativity and Business: Connectivity, Values and Interventions conferenc…
If you don’t ask
Is the arts and culture sector missing a trick? Christopher Goodhart urges wider action to promote legacy giving.
Why create? The artist and art
In a new series looking at the psychological payoff of art and creativity, Cara Courage begins by examining why artists make art.
Gambling on success
The arts sector should be hoping that Camelot succeeds, says Liz Hill
