The AccessArt website has switched from being project-funded to self-sustaining thanks to its membership income. Paula Briggs tell…

James Allenby describes how a few innovations made the Big Dance Pledge, the international mass participation dance event, bigger…

A ‘big data’ perspective reveals that a quarter of so-called ‘new attenders’ aren’t new to the arts…

A year after setting up a blog, Hilary Machell and Yvonne Battersby reflect on their experiences from initial nervousness to an aw…

How does an art and design graduate emerge into a sometimes unwelcoming world? Susan Jones says that help is at hand.

UK membership of the European Union gives cultural organisations access to a wide variety of funds and initiatives. Why are we not…

Mark Hewitt couldn’t believe his luck when he received funding from the Artists’ International Development Fund to col…

Pat Cochrane describes how Cape UK has produced educational resources for the Yorkshire Festival, part of the Tour de France&rsquo…

Part of the Brighton Festival, 'caravan showcase' presents contemporary English theatre to international programmers. Cath…

Eleanor Head advises galleries on their legal position in the event that a painting turns out to be a forgery or its ‘proven…

The Leeds Creative Labs programme has funded collaborations between university academics and creative technologists. Sue Hayton re…

Sean Egan takes a long-term view of the proposed theatre tax relief, suggesting how it could benefit subsidised and commercial the…

Why are we not critically engaging with learning disability arts? Bella Todd reports on the recent Creative Minds conference.

Moving artworks around the world is a complex and costly process. Michael Festenstein advises on how it can be done carefully and…

Natalie Wade shares some tips on how she has been creating great art and culture for young people for whom disengagement had becom…

A breakthrough in the way that arts in health programmes are developed and researched is set to transport arts activity into the h…

Roanne Dods explains why the working practices of small-scale enterprises run by artists and creatives provide a model that is inc…

Making a career for himself in circus, Tim Lenkiewicz explains how he is aiming to make his circus-producing company commercially…

Financial accounting changes are rare but a new financial reporting standard is to be introduced next year. Mahmood Reza explains…

A shared set of values to assess quality and outcomes needs to replace providing evidence of clinical effectiveness for arts inter…

On an arts programme secondment with the British Council in Ukraine, Liz Pugh has been witness to the turbulent geopolitics of the…

Can our theatres be considered as ‘community theatres’ and be listed as Assets of Community Value? Mhora Samuel discus…

Mat Fraser focuses his disability activism on how exhibitions in medical museums can change ideas and attitudes around disability.

How does a tiny Georgian theatre survive in a working class town? Esther Harris talks to Richard Stride, owner of the Groundlings…