At The Firestation, Dan Eastmond has been experimenting with dynamic pricing. It’s still early days, but with…

Anne Torreggiani asks whether belt-tightening is driving us to think more strategically about how we communicate with audiences.

Selling a new building’s fixtures, furnishings and finishing’s through the box office is a fundraising winner. Libby P…

Digital skills, processes and activities have helped most arts organisations reach new audiences and generate alternative revenue…

As mental illness contributes significantly to the number of lost working days, Eleanor Deem advises employers to take a proactive…

Deborah Bull explains what the cultural enquiry into arts policy and young people learnt by looking back over the last 60 years.

Stuart Nicolle shares the latest figures showing just how attractive the arts offer in the four countries of the UK are to those l…

To really value artists working in participatory settings, a greater priority needs be placed on training, development and investi…

Leading a regional theatre known for its championing of new writers and its capital projects, Jim Beirne discusses why he believes…

Can and should museums be playful places? Anna Bunney and Charlotte Derry believe so and are on a mission to discover how best to&…

The tragic story of Lidice, a Czech village destroyed by the Nazis, formed part of a recent Cultural Value project investigating t…

A number of challenges face arts and cultural organisations trying to show their impact on public service outcomes. Jessica Harris…

Andrew Dixon celebrates the huge success of the UK City of Culture programme with Derry in 2013 and Hull  in 2017, but feels…

New music can be attractive to anyone but it all depends on how we hear about it and then where we first hear it, believes Tania H…

Oussama Rifahi explains how the Arab Fund for Arts and Culture supports artists working in challenging situations with very limite…

A new coaching and networking programme supporting the next generation of female cultural leaders in east London is part of the le…

Russell King describes how, through the Lawyers Volunteering for the Arts scheme, he has helped Peckham Platform establish itself…

Dirk vom Lehn explains how video-based research into social interactions in museum or gallery exhibitions can be used to develop n…

Good data can mean great cost savings as well as valuable insights. Hannah Mitchell kick starts some New Year resolutions on effec…

Panto, ballet and nativity plays are standard Christmas fare in the UK, but what are they enjoying in other European countries? Al…

For a week in October Rambert invited the public to view rehearsals and training, and take part in choreography and dance classes….

Manchester Camerata will be experimenting with simple, sensory ways to heighten the audience’s experience and transform the…

Partnership working has aided the fortunes of arts organisations across the country, allowing them to embark on projects previousl…

David Alston explains why the Arts Council of Wales has set about developing a strategy for our times – and why artists are…