Tense and lively discussions at Dance UK’s recent conference will form the basis of a five-year strategy for dance, says Car…

Do all arts organisations need a formal salary structure? Eleanor Deem discusses why they can be useful.

Isn’t all theatre ‘community’ theatre, asks Sara Clifford as she explores why so many people write it off as jus…

Recognising the potential growth of cultural tourism four years ago, Ireland’s audience agency published a guide for arts or…

Hannah Mitchell explains how arts organisations can achieve the desired ticket sales through significantly fewer em…

Taking female actors to Saudi Arabia to perform with young Saudi women is just one of the National Youth Theatre’s ground-br…

Research shows that recruiting the right type of creative professional can be critical for the success of a schools project, expla…

Roberta Doyle explains why Scotland’s theatre company ‘without walls’ tours the highlands and islands of Scotlan…

In true Bertrand Russell style, Chrissie Tiller suggests that we turn the burden of proof on its head – and prove that…

Verity Sanderson explains how a group of digital marketers are seeking to make changes to marketing strategies and initiatives in…

Carien Meijer describes some recent developments of technology and musical instruments for disabled musicians.

What would happen if participation in the arts is extended to participation in its artistic decision-making, asks Leila Jancovich.

Linden Rowley explores who the commissioners of public services are, where to find them and how arts and cultural organisations ca…

A researcher-in-residence scheme is proving that high-quality research skills can benefit the cultural and creative industries, sa…

Are vision, mission and values at the heart of good cultural fundraising? Michelle Wright explains why arts organisations need to…

Fred Weijgertse explores the global art market’s record year and points to the growth in exhibitions, galleries and collecto…

Colin Tweedy calls for business sponsorship of the arts to be nurtured again, particularly outside London where private, philanthr…

When Making Music learnt that it was no longer a National Portfolio Organisation, it was forced to rethink how it operated. Barbar…

Community members and arts and heritage organisations can all benefit from volunteering if some basic principles are followed…

Creating a network of ambassadors to promote culture and creativity in schools in the north east of England has been a bigger and…

Jodi Myers explores the complexities of musical theatre today and why it needs meaningful investment to give new work a greater ch…

Dany Louise looks into the reasons why many cities welcome biennials of art events while others are less receptive.

Stage One’s training and support helped Tracey Childs become a theatre producer and is doing the same for apprentice produce…

For the London International Festival of Theatre customer data is power. Libby Penn describes how taking control over ticketing an…