What does the Artistic Director of England’s most highly-funded theatre think about quotas, naming and shaming, and the lack…

Could arts organisations be doing more to help young people at the start of their careers? Sam Jackman and Mary Olszewska feed bac…

What does excellence mean to the communities experiencing the arts through the Creative People and Places programme?  Mark Ro…

How do the public make value judgements about works of art? To find out, Saul Albert did some eavesdropping at Tate Modern.

We’ve been reading, writing and speaking about diversity in the arts for decades. In the third in a series of articles, Chri…

How can a more inclusive leadership style increase diversity in our audiences? Anne Torreggiani identifies three distinct characte…

An established brand has helped arts organisations increase engagement and fundraise. But how do you begin developing a brand? Kir…

How much attention should you pay to the food at an art fair? And can you ask how much the art costs? Oonagh Murphy offers strong…

Research into business model development in the arts often neglects smaller organisations, but a new project is changing that.&nbs…

National Portfolio Organisations are thriving, despite 27% cuts in local authority funding. Christy Romer examines how.

Jane Earl busts some arts-related myths, starting with ‘everyone wants to take part in arts activities’.

Disappointed with the aggressive nature of today’s arts marketing, Ben Walmsley explores the potential benefits of a more di…

Artists and other self-employed arts professionals are missing out by failing to take advantage of the tax rules designed to leave…

In part two of a series on diversity in the arts, Christy Romer says that labels like ‘diverse’ and ‘BME’…

Visitor numbers may have grown, but the diversity of museum-goers in London has hardly changed over the past ten years. James Does…

Just how diverse is the arts workforce in England, Scotland, Wales and Northern Ireland? Find out with these Infographics collatin…

Theatre for young audiences has suffered from low status and under-investment, but perceptions of its quality are changing, says N…

How do you market classical music to people who've never been to a concert? Thomas Kemp offers some practical advice for anyon…

Now that we have all gone digital, the next challenge is to find out much more about our online audiences, says Katie Moffat.

In the first in a series of articles based on independent research and interviews with key figures about diversity in the arts, Ch…