The gender divide amongst artists exhibited and sold is not inevitable, and new research into Artfinder’s online community p…

Dynamic pricing is all the rage, but is just one tactic amongst many. David Reece explains how organisations can benefit by placin…

Does dynamic pricing actually benefit theatre producers or audiences? Steve Rich isn’t convinced.

Eleni Duke found galleries intimidating, silent and unwelcoming, so she decided to open her own where everyone was welcome. She sh…

Data shows that audiences for many artforms are ageing. Anne Torreggiani calls on the arts sector to anticipate and accommodate th…

Autism and dyslexia have long been associated with creativity, but is the arts sector doing enough to support neurodivergent artis…

Cost cutting is as essential as fundraising, but it’s not often given equal consideration. Michelle Wright shares tips for a…

As the UK triggers Article 50 to start the process of leaving the European Union, AP embarks on the process of extending its cover…

How can we make sure that authors are paid fairly in times of technological change? Luke Alcott discusses the steps that are being…

The rise of the selfie has created new problems for those managing ‘dark tourism’ sites, such as Auschwitz-B…

Even small adjustments in pricing can boost ticket sales and increase revenues, explains Tim Baker.

Business support provides a lifeline that can help cultural organisations attract new partners, funders, lenders and investors. Sa…

Should museums shy away from talking about torture, sexuality and death with children? Sacha Coward explains why he thinks no topi…

The concert-going experience is the same as it was over a century ago – it’s time to make some changes. David Taylor s…

Can corporate sponsorship have a negative effect on a cultural organisation’s artistic value? Yuliya Shymko and Thomas Roule…

What factors prevent disabled or marginalised adults from participating in the arts? Susan Potter shares Creative Future’s&n…

Turtle Key Arts has been involved in arts projects with disabled people in many countries. Alison King reflects on the attitudes a…

PR is about so much more than column inches, but how do you measure a campaign’s success? Amy Finlayson guides us through he…

Live screenings and event cinema are diversifying audiences by making art accessible and available to everyone, argues Daniel Foun…

Forget talk about millenials and generation Y – what does a teenager think is the best way to engage young people in th…

Catherine Bradley reveals five things you might not know about classical music audiences, discovered through Audience Finder data….

Many arts organisations are striving to diversify their fundraising income, but there are dangers in this approach, warns Michelle…

Fundraising may be different for small arts organisations but it doesn’t have to be difficult, especially if you share exper…

Damning research has woken Australia up to the situation for indigenous artists in the country. It’s time for their voices t…