What can you do if your event is approaching but your marketing campaign isn’t achieving its desired effect? If you’ve…

The government's ‘Making Tax Digital’ initiative makes sense for HMRC, but it's also a chance for arts organis…

Having recently announced that South East Dance is to produce an all-female dance programme, Cath James discusses the complex issu…

Christine Hamilton considers how much has changed since the publication of her report on women in the Scottish arts sector three y…

Why are many women in the arts not progressing into leadership roles? Alex Marshall asks if there are lessons to be learned from t…

By opening up more realistic discussions around motherhood, Motherworks seeks to support those suffering unnecessarily. Ruth Dudma…

Great storytelling is about connecting emotionally with audiences and donors in a clear and succinct way, says Michelle Wright.

Lucy Garland explains how her company makes theatre accessible to adults with profound and multiple learning disabilities.

Challenging the notion of a ‘hard-to-reach community’ in Luton, Imrana Mahmood explores the need to create pathways th…

An Action for Children’s Arts study recommends that every child at primary school should have five quality arts experiences…

Lucy Jamieson explains how pooling resources, creativity and ideas rather than working in silos can bring about eff…

As the Boosting Resilience programme draws to a close, Evelyn Wilson outlines how the work, ideas and opportunities developed will…

What is it like to lead a large and complex organisation? Having just spent some time as an interim chief executive, Matthew Brown…

Mobile ticketing is convenient for the customer and can open up new business opportunities. Innovations in the US signal a way for…

All too often the cultural sector holds back from conversations about mental ill-health. Colin Beesting shares his manifesto for a…

So you think freelancing could be for you, but are you clear about the importance of networking, fee-setting and admin? Lucy Tomli…

The Conservatoire in Blackheath recently arranged a finance plan with Triodos Bank to fund its future activities. Phillip Bate exp…

Anne Torreggiani explains why participating in an EU-funded Erasmus programme has prompted her to re-evaluate the ability of inter…

In the wake of budget cuts, local arts groups in Birmingham have come together to help shape a new democratic approach to culture…

Contemporary classical music aligns naturally with children's playful approach to sound, says Nancy Evans.

Aidan Meller introduces Ai-Da, a sketching robot who is both an artist and a work of art.

How can we attract a diverse workforce into the arts sector? Robert West says arts organisations can start by dismantling the barr…

City Hall has launched an interactive online map capturing details of the capital’s cultural spaces – from theatres an…

What makes socially engaged and participatory arts projects successful? Elizabeth Lynch and Miriam Nelken talked to artists, commi…