How to get audiences to pay more for streamed content
What would happen if an audience was allowed to make a reservation for a small fee, enjoy the experience, and then pay afterwards,…
Posts
Public engagement: a renewed civic role for theatre
Small theatres and companies are ideally placed to give their local communities a voice. But there will have to be new models of w…
Meaningful employment for young people: a priority for recovery
A generation of unrealised talent will be the cultural legacy of Covid-19 unless we use the financial lifelines the sector has bee…
Time for a reset
The CULTURE RESET programme is up and running. Richard Watts shares the vision – and the inspiration.
3 things you can do right now to show you mean ‘Black Lives Matter’
The massive surge in support for the Black Lives Matter movement has everyone busily writing diversity policies, but more importan…
How to get up-front funding for a project – without losing control
R&D funding for artists is hard to come by, but Hannah Grannemann and Amy Whitaker believe emerging artist-centric sources of…
Learning through lockdown
The pandemic didn’t stop Music in the Round running the Sheffield Chamber Music Festival online – and learning from th…
Pivoting: when a dance festival moves online
Dance thrives on physical contact and live audiences, so how can the country’s largest youth dance festival move to an onlin…
On equal footing
The experience of running participatory work online has led Theatr Clwyd to rethink the whole concept of ‘reach’. Let&…
2020 festivals: there’s no going back
Having flexed our innovation muscles in response to the pandemic, now’s the time to assess what we’ve done and use thi…
Evolve or die: time to think the unthinkable
Covid-19 has only accelerated what was bound to happen in the arts world – the collapse of unsustainable economic models. It…
Storytelling – a different way of evaluating
Conventional monitoring and evaluation isn’t always helpful in community settings, but with some creative thinking, it can b…
A better space
Covid has given us a chance to imagine a new kind of future for our theatres, but without big goals we will be hostages to fortune…
Do we still need record labels?
The costs of making and distributing music have both come down, but streaming income is very low. John Funge examines the financia…
Sustainable development: are you doing your bit?
Light on resources and heavy on challenges – even before Covid-19 – the cultural sector can nonetheless take small, re…
Are qualifications worth it?
Until the arts sector defines its expectations of the learning needed by employees, even aspirational and potentially career-enhan…
Building online relationships with supporters
In the current climate it’s time to adapt digital fundraising strategies and look at how your data can help boost online don…
Facing the future in the digital sphere
Despite the blow the lockdown has dealt to its plans, dreams, ambitions and finances, Tomorrow’s Warriors are managing to th…
Arts and health partners in a post-Covid world
Delivering arts and health services digitally can extend access for some, but others are excluded. Nesta Lloyd-Jones looks at the…
“We need collectivity against structural and institutional racism in the cultural sector”
A collective of Black and Asian artists, curators and educators explains how the impenetrable glass ceiling keeps them on the marg…
Time to let go of protective control
Given where we now find ourselves, we have few choices but to pool resources and develop new economic and business structures with…
How to tell audiences you’re open for business again
Communicating re-opening will be much, much harder than closure, says Kate Fielding-Cox, who proposes four key principles that eve…
Musings of a Covid-weary venue manager
“Two pigeons in the foyer, a baby seagull falling off the roof and the lager kegs exploding in the heat”: Elspeth McBa…
Trapped in the status quo?
“Radical, representative reinvention” is the only moral choice for the sector now, says Richard Watts, who examines wh…
