A fresh blueprint for funding arts organisations
Arts organisations are only too aware of the limitations of short-term funding. But, in Northern Ireland, a pioneering financial p…
Arts organisations are only too aware of the limitations of short-term funding. But, in Northern Ireland, a pioneering financial p…
A focus on niche audiences and regular content formats could be key to amplifying a new type of storytelling, writes Zosia Poulter…
Whoever forms the next government, Art Fund will be lobbying it for greater access to museums for disadvantaged children through t…
A survey of arts and cultural marketers reveals a growing sense of unfairness around pay and working conditions. Matt Ecclestone h…
Apprenticeships offer far more than just a qualification. Charlotte Nicol is convinced they can and will radically change the make…
With the general election looming, Jason Jones-Hall explains why all parties should embrace an arts-led approach to place to enhan…
Arts and culture are integral to shaping the places we live. We now need to understand the effects cultural placemaking practices…
In the latest in our series on the arts in education, Steve Ball shares an initiative which connects schools and arts organisation…
A new report into the challenges facing the museum and gallery sector has just been published. Rachael Browning outlines its key f…
Failure is part of life. We all know this, creative folk perhaps better than most, says Katie Villa. But how can we learn to…
Directors of Education and Learning from some of the country’s most high-profile theatres are calling on all political parti…
One of our defining characteristics is the diversity and inclusivity of our team, says Delia Barker, as she reflects on the theatr…
Does your website give equal priority to main house shows and community events? Lauren James has some tips on how to use your webs…
Professional boxer and former Young Birmingham Poet Laureate Matt Windle has been working with a group of ‘hard-to-reach&rsq…
There is significant under- and misrepresentation of the Black community in the creative industries. Emma Sithole of Be Unite…
We've come a long way from the difficulties of recent years, and some key metrics are starting to show a positive trend. But w…
The National’s Head of Access David Bellwood explains how the theatre prioritises accessibility, working with manufacturers…
Continuing our series looking at the role of philanthropy in the arts, Tessitura’s Kate Watson and Rebecca Herberson explore…
With increasing demands on the boards of arts organisations—by both funders and the Charity Commission—Helen Keall of…
While a great deal of effort has been focused, rightly, on the mental health and wellbeing of performing artists, Claire Cordeaux…
Tees Valley Combined Authority has launched a radical new programme for artists which could provide a groundbreaking model for oth…
Long-term Heart of Glass collaborator Chrissie Tiller reflects on working with the Merseyside-based NPO and how, by building deepe…
Cultural policy makers have not focused much on census data in the past, but that data is a goldmine for researchers, says Mark Ta…
With her experience of working across multiple projects, Sarah Fortescue explores how the sector can deliver what they do best, in…